



Showcased by
As a guarantor of political and economic authority, the kifwebe mask was used during ceremonies or, when erected on altars, as an object of devotion. As part of a limited corpus, attributed to the same artist or workshop, the mask presented here gives all the signs of prolonged ritual use. It belonged to the French artist Arman, and to the gallery owner Allan Stone. A comparable example can be found in the Stanley Museum of Art, Iowa.
Provenance
Arman, New York, circa 1970
John Giltsoff, Londres
Allan Stone, New York, 1981
Publication(s)
Dumouchelle, Kevin D., Power Incarnate: Allan Stone’s Collection of Sculpture from the Congo, 2011, p. 49, cat. 26
Exhibition(s)
Greenwich, Power Incarnate: Allan Stone’s Collection of Sculpture from the Congo, The Bruce Museum, 14 May – 4 September 2011